You are currently browsing the category archive for the ‘Joshua Logan’ category.

Hey Gang!

I have a high school senior voice/musical theatre student from Kettering’s Fairmont High School here in Ohio, who is writing her senior research paper on the musical theatre industry.  Her thesis statement is centered around:

How musical theatre has affected the American culture between 1920 to the present.

If you have any:

  • personal/professional thoughts on this topic
  • any sources to which she might turn

please feel free to share.

Her rough draft is due Monday, October 29th.

Thanking you all in advance…  Darin

gfyjg

Advertisements

Producer:

  • Leaps Tall Buildings In A Single Bound
  • Is More Powerful Than A Locomotive
  • Is Faster Than A Speeding Bullet
  • Walks On Water
  • Gives Policy To God

Director:

  • Leaps Short Buildings In A Single Bound
  • Is More Powerful Than A Switch Engine
  • Is Just As Fast As A Speeding Bullet
  • Walks On Water If The Sea Is Calm
  • Talks With God

Playwright:

  • Leaps Short Buildings With A Running Start
  • Is Almost As Powerful As A Switch Engine
  • Is Faster Than A Speeding BB
  • Swims Well
  • Is Occasionally Addressed By God

Actor:

  • Makes High Marks On The Wall When Trying To Leap Buildings
  • Is Run Over By Locomotives
  • Can Sometimes Handle A Gun Without Inflicting Self-Injury
  • Dog Paddles
  • Talks To Animals

Orchestra:

  • Runs Into Buildings
  • Recognizes Locomotives Two Out Of Three Times
  • Is Not Issued Ammunition
  • Can Stay Afloat With A Life Preserver
  • Talks To Walls

Chorus:

  • Falls Over Doorsteps When Trying To Enter Buildings
  • Says, Look At The Choo-Choo!
  • Wets Self With A Water Pistol
  • Plays In Mud Puddles
  • Mumbles To Self

Stage Manager:

  • Lifts Buildings And Walks Under Them
  • Kicks Locomotives Off The Track
  • Catches Speeding Bullets In Teeth And Eats Them
  • Freezes Water With A Single Glance
  • Is GOD

What an incredible evening!

Dinner at UNO’s with Quintin was loaded with good humor, and great food.  I love eating at UNO’s prior to a show at The Victoria Theatre, or The Schuster Center, because there is that familiar electricity in the air that is not only energizing, but comforting, as well.  I absolutely love that feeling I get before a production begins.

Quintin’s eyes devoured the expansive, imposing lobby of the Schuster Center.  While at the ticket center, I personally met someone who had just written me that morning about my posts on Facebook.  It was such a nice surprise.

We took our seats – four apart – and the families began pouring into the auditorium.  Yes, it looked like a sea of young sprouts ready to watch Disney On Ice, but I love seeing the little peeps at the theatre, or in concerts.  Seated next to me was a plump little thing not older than 8 years, who had no control over her body, whatsoever.  Within a few minutes I had dubbed her Princess Bounce A Lot!

We were up in the upper balcony, and could not see the incredible dome which, to me, is one of the most gorgeous memorials to The Wright Brothers.  The dome is the constellation’s configuration above Dayton the night before the Wright Brother’s first flew at Kitty Hawk in 1903.  Every time I see it I am quite touched.

I don’t believe I have ever attended a production where giraffes simply walking across the stage received an ovation; however, I don’t think I’ve ever seen giraffes on stage… well, perhaps in some productions of Children of Eden.  The opening number continued to build, and build, and build until there was this enormous wall of sound, and a scenic moment of set, costumes, lighting that was breathtaking.  I kept thinking how famous scenic & lighting designer, Jo Mielziner would have reacted to this moment – and the many more that were to follow.

I had thoroughly enjoyed the animated motion picture, The Lion King, when it first appeared on the scene years ago, tonight the story’s line came to life in a much richer expanse.  I love the themes where the protagonist has no idea when it is his time to step up the role for which he is truly intended.  I saw some Hamlet peek through, but more of Moses and Lincoln.  Good always triumphs over evil.

Several times I looked down the row to see how Quintin was taking in this epic experience.  I know I probably teared up a little as I watched him bounce to the music, his head toss back with laughter, and a smile remain on his face.   Following intermission, Princess Bounce A Lot and her mother were escorted to different seats, so Quintin joined me.  I could tell he was loving every minute.  After the show we walked over to Riverscape, and he cheerfully pointed out his favorite moments.

As I sit here, several hours following the production’s close, I cannot decide if I watched true musical theatre, or something beyond legitimate musical theatre.  At times, the beauty on stage seemed to be living scenery choreographed to music.  And, it truly does not matter.  All that matters is that I was fortunate to share this experience with a new son.

I found a great article in The Dayton Paper that lists all the upcoming shows but they were listed under the various companies. I made up a list of shows by their dates.

Keep in mind that I only entered the starting date for some productions, and there may be more performances.

For more information, please visit the following websites for each individual theatre company. Remember that many of the companies listed below can also be located on Facebook and Twitter.

Centerville High School Theatre

Sinclair Community College Theatre

Dayton Theatre Guild

Wright State Theatre & Dance

University of Dayton Theatre

Playhouse South

Cedarville University Theatre

La Comedia Dinner Theatre

The Seed Theatre Project

Human Race Theatre Company

Springfield Arts Council

Springfield Stageworks

Beavercreek Community Theatre

Dayton Playhouse

Don’t forget to support the various Children’s Theatre programs in the area, as well.

For outstanding high school theatre productions, be sure to check out Centerville High School’s theatre program – one of the finest student production companies in Ohio!

09/08/2010 Dirty Rotten Scoundrels LaComedia
09/17/2010 The Spitfire Grill Beavercreek Community Theatre
09/23/2010 August: Osage County Wright State University & Human Race Theatre Company
09/28/2010 Blue Man Group Victoria Theatre Association
09/30/2010 The Importance of Being Earnest Cedarville University
10/02/2010 Forever Plaid Springfield Arts Council
10/08/2010 Die Mommie Die! Dayton Playhouse
10/15/2010 Once On This Island Sinclair Community College
10/15/2010 Moon Over Buffalo Playhouse South
10/21/2010 The 39 Steps Human Race Theatre Company
10/22/2010 The Diviners University of Dayton
10/22/2010 The Sugar Witch Dayton Theatre Guild
10/28/2010 Anything Goes Wright State University
11/02/2010 Spring Awakening Victoria Theatre Association
11/04/2010 White Christmas LaComedia
11/05/2010 Grey Gardens The Musical Seed Threatre Project
11/10/2010 Drumline Live Victoria Theatre Association
11/12/2010 All Shook Up Centerville High School
11/12/2010 Wit Dayton Playhouse
11/12/2010 Dark Lights of Broadway Playhouse South
11/13/2010 An Evening With Sutton Foster Springfield Arts Council
11/26/2010 Precious Heart Dayton Theatre Guild
12/02/2010 8-Track Sounds of the 70’s Human Race Theatre Company
12/03/2010 A Christmas Carol Beavercreek Community Theatre
12/07/2010 The Wonder Bread Years Victoria Theatre Association
12/17/2010 Christmas Belles Dayton Playhouse
01/07/2011 Ravenscroft Dayton Theatre Guild
01/20/2011 Jeckyll & Hyde Wright State University
01/21/2011 Betty Buckley’s Broadway Springfield Arts Council
01/21/2011 I Hate Hamlet Playhouse South
01/27/2011 Diary Of Anne Frank Centerville High School
01/27/2011 Twelfth Night Human Race Theatre Company
01/28/2011 The Octette Bridge Club Beavercreek Community Theatre
01/28/2011 The 25th Annual Putnam County Spelling Bee Dayton Playhouse
02/01/2011 9 to 5: The Musical Victoria Theatre Association
02/02/2011 Fiddler On The Roof Springfield Arts Council
02/04/2011 True West University of Dayton
02/10/2011 The Last 5 Years Springfield Stageworks
02/11/2011 Fat Pig Dayton Theatre Guild
02/11/2011 Almost, Maine Seed Threatre Project
02/17/2011 Picnic Wright State University
02/18/2011 The Foreigner Sinclair Community College
03/03/2011 Seven Brides for Seven Brothers LaComedia
03/04/2011 The Wizard of Oz Springfield Arts Council
03/04/2011 Little Women Wright State University
03/04/2011 Golda’s Balcony Dayton Theatre Guild
03/11/2011 Mid-Life The Crisis Musical Beavercreek Community Theatre
03/11/2011 Beyond Therapy Dayton Playhouse
03/25/2011 Joseph & The Amazing Technicolor Dreamcoat Playhouse South
03/28/2011 The Drowsy Chaperone Victoria Theatre Association
04/01/2011 Smoke On The Mountain University of Dayton
04/01/2011 Bill W. & Dr. Bob Dayton Playhouse
04/01/2011 The Boys Next Door Dayton Theatre Guild
04/05/2011 All Shook Up Victoria Theatre
04/14/2011 Permanent Collection Human Race Theatre Company
04/15/2011 An Enemy of the People Seed Threatre Project
04/21/2011 Titus Andronicus Springfield Stageworks
04/22/2011 Blackbird Dayton Theatre Guild
04/28/2011 Hairspray LaComedia
04/29/2011 Hello, Dolly! Centerville High School
05/06/2011 A Piece of Heart Playhouse South
05/12/2011 42nd Street Wright State University
05/13/2011 The Women of Lockerbie Sinclair Community College
05/13/2011 La Cage aux Folles Dayton Playhouse
05/13/2011 Mauritius Dayton Theatre Guild
05/19/2011 Monty Python’s Spamalot Springfield Arts Council
05/26/2011 right next to me Human Race Theatre Company
06/03/2011 Barnaby Rudge Wright State University
06/10/2011 The Mystery of Edwin Drood Beavercreek Community Theatre
06/10/2011 Anyone Can Whistle Seed Threatre Project
06/14/2011 Disney’s The Lion King Victoria Theatre Association

16 years ago today, I got my cat, Logan. I don’t know why this date has stuck with me, but perhaps it is because Logan was the first pet I acquired as an adult. At first, she was Mr. Logan, named for biggest idol in life, legendary director-producer-playwright, Joshua Logan. However, upon learning that she was, indeed, a female, I simply shortened it to Logan.

She has been a delightful little pal, often traveling with me to Indiana and New York City, going on walks (she has a leash), riding in my backpack as I rode my bicycle, and snuggling with me at night as I read before bedtime. In her early days, she could be seen riding the float with the Centerville Community Band – wearing a little straw hat with red and blue ribbons, straddling my shoulders as we attended Stubbs Park concerts, and sitting in the lap of little Benjamin Gross as he took piano lessons.

One morning I woke to a screeching cry, and jumped out of bed to find Logan dragging her backside down the hall. She was not quite a year, and I feared something had fallen on her, crushing her back end. I threw on sweats and a ball cap, wrapped her in a bath towel, and drove her to the vet who was open to accept early arrivals for surgeries. I explained something had fallen on her, and just then, Logan repeated the painful experience.

“I’m sorry, Mr. Haas, but there is nothing we can do for her.”

I asked if we had to put her down….

“No, Logan is in heat.”

I replaced my ball cap, tucked Logan under my arm, and left the office with all the dignity I could muster.

For the past 16 years, Logan has been a delightful pet, and companion. Age has not slowed her down, and she frequents the neighbors, as well as the nearby Fraze Pavilion when there is a concert. She has sauntered across the stage, several times, during a famous artist’s performance, generally scoping the audience to see if there is anyone she knows. Upon finding a familiar face, or inviting lap, Logan will enjoy the concert, often encouraging those near her to see just how soft her fur is.

Thank you, Logan, for a wonderful 16 years together.

This is a really neat article about Broadway producers.

Take time to read What does a Broadway Producer do? Over 100 Producers respond.

The article can be found at THE PRODUCER\’S PERSPECTIVE

A producer is a rare, paradoxical genius: hard-headed, soft-hearted, cautious, reckless, a hopeful innocent in fair weather, a stern pilot in stormy weather, a mathematician who prefers to ignore the laws of mathematics and trust intuition, an idealist, a realist, a practical dreamer, a sophisticated gambler, a stage-struck child.  That’s a producer.

– Oscar Hammerstein II

Every September 1st, I think of this beautiful song by Weill & Anderson.

The first time I heard “September Song” was in the mid-late 1980’s when Mr. Logan played a recording of it. I cannot remember who sang it but it seems like it was Ray Bolger’s voice in my mind. The lyrics are beautiful, wistful…

SEPTEMBER SONG

When I was a young man courting the girls
I played me a waiting game
If a maid refused me with tossing curls
I’d let the old Earth make a couple of whirls
While I plied her with tears in lieu of pearls
And as time came around she came my way
As time came around, she came

When you meet with the young girls early in the Spring
You court them in song and rhyme
They answer with words and a clover ring
But if you could examine the goods they bring
They have little to offer but the songs they sing
And the plentiful waste of time of day
A plentiful waste of time

Oh, it’s a long, long while from May to December
But the days grow short when you reach September
When the autumn weather turns the leaves to flame
One hasn’t got time for the waiting game

Oh, the days dwindle down to a precious few
September, November
And these few precious days I’ll spend with you
These precious days I’ll spend with you

God, how many times have I written that title over the past few years I have blogged. My cousin, Dana, and my friend, Jeff, are tremendous, faithful bloggers. I always try to use these two as role models with cooking, household items, and other creative things, but manage to fall short. I have concluded I am just not a cook, nor do I enjoy it. I have also concluded that home decor, and even gardening is not my arena, either.

Therefore, blogging shall be mine!

So, for starters…

SOUTH PACIFIC, the little show that had so many derailments from outside sources, and even school administration, bounded into the auditorium with success, and much cheering from the audiences. The cast was just right, and the orchestra was wonderful. The technical component was saved by two brilliant Centerville students, Jack Gallagher and Ryan Grant, and my former student, Andrew Stroud, took over the sound board. And I had three of the most wonderful ladies as producers: Sandy Focht, Suzanne Grote, and Joyce Carter. Joshua Logan’s son, Tom, and his granddaughter, Kate Harrigan, offered wonderful, touching telephone calls to the cast, as well as voice overs prior to curtain. It has been nearly a month since the show and the magic of its journey still lingers.

In some ways, it was a very fun summer, and in others, it was not. Due to the grueling episodes from some outside individuals who wished to work against the productions, it made for a very trying summer. Still there were many pleasant events with visits with the family, a three-day trip to Indiana Beach, Kings Island, and a ton of gatherings at the Carter home in Beavercreek. Jose was present for almost all the SOUTH PACIFIC cast adventures, and seemed to make some good friends.

Today is August 25th, 2009. In one month I turn 45 years old. This is kind of strange as I remember when my grandmother, who was only 40 at my birth, turned 45.

Next door at Fairmont, the freshmen and sophomores are in class – the juniors and seniors join them tomorrow. In some ways I am glad school is starting back up, and again, it heralds the end of summer. I will be directing the Beavecreek Show Choir Band this year, and doing several other things at BHS which I cannot disclose at present.

This summer has been interesting in other ways… people entering my life, people exiting my life… some with whom I care to share a life-long friendship, and others I know are only momentary.

Now, it is on with my day. Teaching, some writing, and then a band booster meeting. Jose begins the evening marching band rehearsals tonight – Tuesdays and Thursdays from 6:00-9:00pm. So, I will have free time to write, walk, and do whatever needs my attention.

Sunday, May 17th, we held auditions for SOUTH PACIFIC.

I was so impressed with so many of the teenagers, and there were a few that blew me away – I had not seen that level of performance from them.

I have been tearing into all the preparation on the schedule, and all the fun things that accompany it. I have also been doing the customary research that makes me happier than anything else in the world.

I wake around 5:30am, read; at 7:00am I sleep until Jose comes in at 7:45am to leave for school; I feed the animals, water plants, take sugar count, eat my breakfast (on the deck in nice weather), check email, and then generally do house work or yard work… today I mowed, trimmed, and planted flowers… then, I am seated at my desk at 9:00am to work until Noon when I take lunch on the deck; at 1:00, I lounge in my bed, reading and researching; at 2:00pm, I break for an hour of BEWITCHED, and then get ready to teach lessons. Somewhere in this time, I also manage a 20 minute walk, and play time with Flyer. After teaching, Jose and I often run errands, and then I am in bed with my laptop at 10:00pm until after midnight…

I love this life!

The music of Rodgers & Hammerstein is always with me. I seldom need to turn it on because it is always going through my brain.

This week has also been filled with concerts, breakfast with dear friends, and more concerts. Friday, if Jose goes to play sand volleyball with some friends, I will elect to have dinner with some of my friends. I also plan on taking Jose to see NIGHT AT THE MUSEUM which comes out this week. Last week we saw th 12:01am showing of ANGELS & DEMONS, and it was incredible. It did make for an extra long Friday since we had the Fairmont choral concert, but it was so worth it!

I would also like to try to see TITANIC this weekend.

My neighbors always have a Memorial Day cookout, but I have not heard anything about it, yet. If it is still on, it is one of my all time favorite gatherings… I love this cookout!

Well, last night the production team officially met for the first time to prep SOUTH PACIFIC for Beavercreek High School’s new summer stock production company, Summer On Stage. This production team is on fire, and over the past three weeks, has done an enormous job of planning, and most of all -visioneering.

This Sunday, May 17, we hold auditions, and the response from students has been great. My goal is to have tons of men for the Seabee numbers. “Nothin’ Like A Dame” will rock!

Unfortunately, we have little fires to constantly put out due to stagnating issues from the past, and this has infiltrated down to a handfull of students. One particular student, who will be attending a podunk school that has a very mediocre musical theatre (but she clams it is the best in the Midwest even when she could not get into the schools of her choice… [insert laugh here]), has been saying SOUTH PACIFIC will fail because I am a bad vocalist. However, she is all smoke… no substance. A few others have been on the attack, but again, no substance.

It’s sad that some of the students have basically been “bought” with empty promises. In some ways, I do not blame them for their attacks on the previous production, THE PAJAMA GAME, nor now with SOUTH PACIFIC. The students have had these insidious thoughts planted in their minds, and in the minds of some of their parents. How sad they have been used for unethical reasons.

But their small-mindedness shall not chip away at what we will produce this summer. The tidal wave is rolling.

An announcement for orchestra members went out this morning, and a ton of other items were accomplished by the team!

Next week we will interview potential technical directors.

There are so many neat plans for this production, and I cannot wait until we start rehearsals.

Sunday afternoon, the production of THE PAJAMA GAME at Beavercreek High School ended.

I am generally a little teary-eyed following a production, but this time I was relieved.

April 14th, the orchestra conductor was fired and I was handed the position, along with the current duties of vocal director.

Suzanne, the director, and I had so many storms to weather throughout this production – Suzanne more so than myself. Mine was very confined to a week or so, where hers was on-going. My predecessor had 57 students sign up for the orchestra – students thinking I was to conduct (I thought I was to do it, originally, as well). Within 30 minutes, over 30 students had walked out on his first meeting.

Monday morning I had not orchestra. Thanks to the band director, and several of my music friends, I had one of the best orchestras BHS has had – and was told so by MANY faculty and parents, and those who have known the program for many years. I heard the video the other evening and I was so proud of the sound coming from the pit.

We had 3 rehearsals, a sitz probe, and two tech rehearsals before the shows began – and those orchestra members plowed through the difficult score as though they were each born to play a musical theatre score.

I spent most of Monday and Tuesday trying to bring as much normalcy back to life as I could. I had a yard to mow, flowers to plant, yard to clean up, laundry, and tons of other things. Jose had done a tremendous job of helping me while I was in production, but there were so many things that I prefer to do – and all was waiting for me.

Monday and Tuesday nights were heavy with teaching – and a number of make-up lessons. Wednesday night was the cast party, and Thursday was a four hour class for part of my teaching licensure.

While wading through all the above, I was also launching the production of SOUTH PACIFIC for this summer.

Auditions are May 17th @ 5:00pm.

The audition announcements are out, and I am swamped in preparation. I think this is when I am happiest – preparing for, and directing a show. The performances are always somewhat dull for me – my heaven, and haven is being in a rehearsal.

I am hoping to write more on preparations for SOUTH PACIFIC… I am in heaven, despite some of the garbage already pouring from some of the preceding issues at the school.

This afternoon, Mother will arrive to spend the weekend with us. At 5:15pm we will head to Beavercreek High School to watch the Friend’s Show Choir’s FINALE – a very moving evening to celebrate the end of the year.

Today is the 100th birthday of my hero in directing, Joshua Logan.

Joshua Lockwood Logan III (October 5, 1908July 12, 1988) was an American stage and film director and writer.

Logan was born in Texarkana, Texas. His father died when Logan was only three, and his mother remarried six years later. He was reared in Shreveport, the seat of Caddo Parish and the largest city in north Louisiana. He attended Culver Military Academy in Culver, Indiana, where his stepfather served on the staff. At school, he experienced his first drama class and felt at home. After his high school graduation he attended Princeton University.

At Princeton, he was involved with the intercollegiate summer stock company, known as the University Players, with fellow student James Stewart and also non-student Henry Fonda. In fact, James Stewart was an architect major when Logan recruited him for a bit part in a production he was directing. Stewart became hooked on acting and the two remained life time friends. During his senior year he served as president of the Princeton Triangle Club. Before his graduation he won a scholarship to study in Moscow with Constantin Stanislavsky, and Logan left school without a diploma.

Logan began his Broadway career as an actor in Carry Nation in 1932. He then spent time in London, where he “stag[ed] two productions … and direct[ed] a touring revival of Camille“. He also worked as an assistant stage manager. After a short time in Hollywood, Logan directed On Borrowed Time on Broadway. The play ran for a year, but his first major success came in 1938, when he directed I Married an Angel. Over the next few years he directed Knickerbocker Holiday, Morning’s at Seven, Charlie’s Aunt, and By Jupiter.

In 1942 Logan was drafted by the US Army. During his service in World War II, he acted as a public-relations and intelligence officer. When the war concluded he was discharged as a captain, and returned to Broadway. He married his second wife, actress Nedda Harrigan (daughter of Ned Harrigan), in 1945; Logan’s previous marriage, to actress Barbara O’Neil, who is most remembered as Scarlett O’Hara’s mother in GONE WITH THE WIND, a colleague of his at the University Players in the 1930s, had ended in divorce.

After the war, Logan directed the Broadway productions Annie Get Your Gun, John Loves Mary, Mister Roberts, South Pacific, and Fanny. He shared the 1950 Pulitzer Prize for Drama with Richard Rodgers and Oscar Hammerstein II for co-writing South Pacific. The show also earned him a Tony Award for Best Director. Despite his contributions to the musical, in their review the New York Times originally omitted his name as co-author, and the Pulitzer Prize committee initially awarded the prize to only Rodgers and Hammerstein. Although the mistakes were corrected, in his autobiography Logan wrote “I knew then why people fight so hard to have their names in proper type. It’s not just ego or ‘the principle of the thing,’ it’s possibly another job or a better salary. It’s reassurance. My name had been so minimized that I lived through years of having people praise ‘South Pacific’ in my presence without knowing I had had anything to do with.”

Logan cowrote, coproduced, and directed the 1952 musical Wish You Were Here. After the show was not initially successful, Logan quickly wrote 54 new pages of material, and by the ninth performance the show looked new. In its fourth week of release, the show sold out, and continued to offer sell-out performance for the next two years.

When director John Ford became sick, Logan reluctantly returned to Hollywood to complete the filming of Mister Roberts (1955). Logan’s other hit films included Picnic (1955), Bus Stop (1956), Sayonara (1957), and South Pacific (1958). He was nominated for an Academy Award for Directing for Picnic and Sayonara.

His later Broadway musicals All-American (1962) and Mr. President (1962) and the films of Lerner and Loewe’s Camelot (1967), and Paint Your Wagon (1969) were less acclaimed. Logan’s 1976 autobiography Josh: My Up-and-Down, In-and-Out Life talks frankly about his bipolar disorder. He appeared with his wife in the 1977 nightclub revue Musical Moments, featuring Logan’s most popular Broadway numbers. He published Movie Stars, Real People, and Me in 1978. From 1983-1986, he taught theater at Florida Atlantic University in Boca Raton. He was also responsible for bringing Carol Channing to Broadway in Lend an Ear!.

At his best, Logan’s direction was distinguished by a deep insight into character and a remarkable fluidity, the latter especially evident in his staging of often cumbersome musicals. He was sometimes criticized in his later shows and films, however, for too heavy a touch. Autobiography: Josh: My Up and Down, In and Out Life, 1976.

Logan died in 1988 in New York of supranuclear palsy.

JOSHUA LOGAN’S OBITUARY…

Published: July 13, 1988

Joshua L. Logan, the director of some of Broadway’s most enduring and prestigious hits, among them ”South Pacific,” which won the Pulitzer Prize, and ”Mister Roberts,” died yesterday afternoon at his Manhattan home. He was 79 years old and had suffered for many years from supranuclear palsy, a debilitating disease.

Joshua L. Logan, the director of some of Broadway’s most enduring and prestigious hits, among them ”South Pacific,” which won the Pulitzer Prize, and ”Mister Roberts,” died yesterday afternoon at his Manhattan home. He was 79 years old and had suffered for many years from supranuclear palsy, a debilitating disease.

Mr. Logan frequently served as co-author and producer or co-producer as well as director of plays. He was also that uncommon phenomenon, the theater director who was also successful in films – with such hits as ”Sayonara” and ”Paint Your Wagon.”

While he attempted the classics only once, with ”The Wisteria Trees” – his own version of Chekhov’s ”Cherry Orchard” – and did not seek out innovative or avant-garde drama, he was a consummate theatrical craftsman, possessing great emotional force that he was able to transmit to the actors he directed.

His long string of successes really began with the musical ”I Married an Angel” (1938) and included ”Knickerbocker Holiday” with Walter Huston the same year, ”Annie Get Your Gun” (1946), ”Picnic” (1953), ”Fanny” (1954), ”The World of Suzie Wong” (1958) and the movie of ”Camelot” (1967). Some Failures, Too

He did have his failures, notably ”Miss Moffat,” a musical version of ”The Corn Is Green,” starring Bette Davis. It closed in Philadelphia before reaching New York, when Miss Davis withdrew from the cast. Another was ”Rip van Winkle,” a 1976 musical for which he wrote both book and lyrics as well as provided the direction. It closed before its New York opening. ”Ensign Pulver,” a 1964 film, was not a success, nor was ”Look to the Lilies,” in 1970.

Mr. Logan was notable for his candor in discussing manic depression, the mental illness in which manic elation alternates with profound depression. He had the condition for many years before it was discovered that it could be controlled by the drug lithium carbonate.

It had been rumored for years that Mr. Logan’s ups and downs of mood were occasionally excessive, and that he required hospitalization for extended periods, which in fact he did on two occasions.

After January 1969, when he learned of lithium and began taking it as a preventive, Mr. Logan decided, he wrote in ”Movie Stars, Real People, and Me,” that he would talk about it. Telling What He Knew ”I had been ignorant all my life about such things,” he said, ”at least I could tell others so they would never be as ignorant as I was.”

He took part in medical seminars, appeared on television and talked and wrote about his illness. But he also made it clear that he felt its manic phase contributed to his creativity: ”Without my illness, active or dormant, I’m sure I would have lived only half of the life I’ve lived and that would be as unexciting as a safe and sane Fourth of July. I would have missed the sharpest, the rarest and, yes, the sweetest moments of my existence.”

Joshua Lockwood Logan was born Oct. 5, 1908, in Texarkana, Tex. His father died when he was 3 years old; six years later, his mother married an Army officer who was later on the staff of the Culver (Ind.) Military Academy.

It was when he was 8 years old that Joshua saw his first professional play, ”Everywoman,” in Shreveport, La. It was, he wrote in his autobiography, ”Josh,” a case of ”love at first sight.” It was during his five years at Culver, Mr. Logan wrote, that he entered his first dramatics class and ”felt my life swerve and suddenly steady itself.” Studied With Stanislavsky.

He chose to go to Princeton because of its Triangle Club show that toured the country, and he entered the university in 1927. The previous year, he recalled, he saw his first Broadway play, ”What Price Glory?”

TRIVIA…

  • Won seven Tony Awards:
  • two in 1948 for “Mister Roberts,” with collaborator Thomas Heggen as Best Authors and as writers of the Best Play winner
  • four in 1950 for “South Pacific,” as Best Director, Best Authors (Musical) with Oscar Hammerstein II, Best Producers (Musical) wirh Richard Rodgers, Hammerstein and Leland Hayward, and as writers, along with Rodgers and Hammerstein, of the Best Musical winner
  • and one in 1953, as Best Director for William Inge‘s “Picnic.”
  • He was also Tony-nominated on two other occasions:
  • in 1959, as co-producer of Best Play nominee “Epitaph for George Dillon,”
  • in 1962 as Best Director (Musical) for “All American.”

For the past several months, or so, I have been experiencing a feeling – as John Adams called it in the musical 1776 – “discontentment.” As I was writing a good friend earlier this afternoon, I feel like all these major musical theatre characters singing about the excitement festering within.

Here are some examples:

Tony in WEST SIDE STORY:

Could be!
Who knows?
There’s something due any day;
I will know right away,
Soon as it shows.
It may come cannonballing down through the sky,
Gleam in its eye,
Bright as a rose!

Who knows?
It’s only just out of reach,
Down the block, on a beach,
Under a tree.
I got a feeling there’s a miracle due,
Gonna come true,
Coming to me!

Could it be? Yes, it could.
Something’s coming, something good,
If I can wait!
Something’s coming, I don’t know what it is,
But it is
Gonna be great!

With a click, with a shock,
Phone’ll jingle, door’ll knock,
Open the latch!
Something’s coming, don’t know when, but it’s soon;
Catch the moon,
One-handed catch!

Around the corner,
Or whistling down the river,
Come on, deliver
To me!
Will it be? Yes, it will.
Maybe just by holding still,
It’ll be there!

Come on, something, come on in, don’t be shy,
Meet a guy,
Pull up a chair!
The air is humming,
And something great is coming!
Who knows?
It’s only just out of reach,
Down the block, on a beach,
Maybe tonight . . .

Jekyll in JEKYLL & HYDE:

This is the moment!
This is the day,
When I send all my doubts and demons
On their way!

Every endeavor,
I have made – ever –
Is coming into play,
Is here and now – today!

This is the moment,
This is the time,
When the momentum and the moment
Are in rhyme!

Give me this moment –
This precious chance –
I’ll gather up my past
And make some sense at last!

This is the moment,
When all I’ve done –
All the dreaming,
Scheming and screaming,
Become one!

This is the day –
See it sparkle and shine,
When all I’ve lived for
Becomes mine!

For all these years,
I’ve faced the world alone,
And now the time has come
To prove to them
I’ve made it on my own!

This is the moment –
My final test –
Destiny beckoned,
I never reckoned,
Second Best!

I won’t look down,
I must not fall!
This is the moment,
The sweetest moment of them all!

This is the moment!
Damn all the odds!
This day, or never,
I’ll sit forever
With the gods!

When I look back,
I will always recall,
Moment for moment,
This was the moment,
The greatest moment
Of them all!

Something is festering inside – a burning desire to be doing something else. The past month I have had some strange “reminders” about the Mary Todd Lincoln musical… why? Who knows…

I am so ready for this next great adventure – whatever it is. The signs continue to herald that the time is near. Perhaps it is already here and I am not recognizing it… maybe there is nothing to recognize. Maybe I am supposed to just dig in and work…

Today is an anniversary for two of my heroes… one died, and one was born….

JOSHUA LOGAN – (October 5, 1908July 12, 1988) was an American stage and film director and writer.

Broadway

Logan began his Broadway career as an actor in Carry Nation in 1932. He then spent time in London, where he “stag[ed] two productions … and direct[ed] a touring revival of Camille“. He also worked as an assistant stage manager. After a short time in Hollywood, Logan directed On Borrowed Time on Broadway. The play ran for a year, but his first major success came in 1938, when he directed I Married an Angel. Over the next few years he directed Knickerbocker Holiday, Morning’s at Seven, Charlie’s Aunt, and By Jupiter.

In 1942 Logan was drafted by the US Army. During his service in World War II, he acted as a public-relations and intelligence officer. When the war concluded he was discharged as a captain, and returned to Broadway. He married his second wife, actress Nedda Harrigan, in 1945; Logan’s previous marriage, to actress Barbara O’Neil, a colleague of his at the University Players in the 1930s, had ended in divorce.

After the war, Logan directed the Broadway productions Annie Get Your Gun, John Loves Mary, Mister Roberts, South Pacific, and Fanny. He shared the 1950 Pulitzer Prize for Drama with Richard Rodgers and Oscar Hammerstein II for co-writing South Pacific. The show also earned him a Tony Award for Best Director. Despite his contributions to the musical, in their review the New York Times originally omitted his name as co-author, and the Pulitzer Prize committee initially awarded the prize to only Rodgers and Hammerstein. Although the mistakes were corrected, in his autobiography Logan wrote “I knew then why people fight so hard to have their names in proper type. It’s not just ego or ‘the principle of the thing,’ it’s possibly another job or a better salary. It’s reassurance. My name had been so minimized that I lived through years of having people praise ‘South Pacific’ in my presence without knowing I had had anything to do with.”

Logan cowrote, coproduced, and directed the 1952 musical Wish You Were Here. After the show was not initially successful, Logan quickly wrote 54 new pages of material, and by the ninth performance the show looked new. In its fourth week of release, the show sold out, and continued to offer sell-out performance for the next two years.

Hollywood

When director John Ford became sick, Logan reluctantly returned to Hollywood to complete the filming of Mister Roberts (1955). Logan’s other hit films included Picnic (1955), Bus Stop (1956), Sayonara (1957), and South Pacific (1958). He was nominated for an Academy Award for Directing for Picnic and Sayonara.

His later Broadway musicals All-American (1962) and Mr. President (1962) and the films of Lerner and Loewe’s Camelot (1967), and Paint Your Wagon (1969) were less acclaimed. Logan’s 1976 autobiography Josh: My Up-and-Down, In-and-Out Life talks frankly about his bipolar disorder. He appeared with his wife in the 1977 nightclub revue Musical Moments, featuring Logan’s most popular Broadway numbers. He published Movie Stars, Real People, and Me in 1978. From 1983-1986, he taught theater at Florida Atlantic University in Boca Raton. He was also responsible for bringing Carol Channing to Broadway in Lend an Ear!.

Logan died in 1988 in New York of supranuclear palsy.

OSCAR HAMMERSTEIN II – (July 12, 1895August 23, 1960) was an American writer, producer, and (usually uncredited) director of musicals for almost forty years. He was twice awarded an Oscar for “Best Original Song“, and much of his work has been admitted into the unofficial Great American Songbook.

Rodgers and Hammerstein

Hammerstein’s most successful and sustained collaboration, however, came in 1943 when he teamed up with Richard Rodgers to write a musical adaptation of the play Green Grow the Lilacs. Rodgers’ first partner, Lorenz Hart, was originally going to join in the collaboration but was too deeply entrenched in alcoholism to be of any use. The result of the new Rodgers and Hammerstein collaboration was Oklahoma!, a show which revolutionized the American musical theatre by tightly integrating all the aspects of musical theater, with the songs and dances arising out of the plot and characters. It also began a partnership which would produce such classic Broadway musicals as Carousel, Allegro, South Pacific, The King and I, Me & Juliet, Pipe Dream, Flower Drum Song, and The Sound of Music as well as the musical film State Fair (and its stage adaptation of the same name) and the television musical Cinderella, all of which were featured in the revue A Grand Night for Singing. Hammerstein also produced the book and lyrics for Carmen Jones, an adaptation of Georges Bizet‘s opera Carmen with an all-black cast.

Oscar Hammerstein II is today considered one of the most important figures in the history of American musical theater. He was probably the best “book writer” in Broadway history – he made the story, not the songs or the stars, central to the musical, and brought it to full maturity as an art form. His reputation for being “sentimental”, is based largely on the movie versions of the musicals, especially The Sound of Music, in which a song sung by those in favor of pacification with the Nazis, No Way to Stop It, was cut. As recent revivals of Show Boat, Oklahoma!, Carousel, and The King and I in London and New York show, Hammerstein was one of the more tough-minded and socially conscious American musical theater artists. Oscar Hammerstein believed in love; he did not believe that it would always end happily.

Death and honors

Hammerstein is the only person named Oscar ever to win an Oscar (Academy Award). He won two Oscars for best original song—in 1941 for “The Last Time I Saw Paris” in the film Lady Be Good, and in 1945 for “It Might As Well Be Spring” in State Fair. In 1950, the team of Rodgers and Hammerstein received The Hundred Year Association of New York‘s Gold Medal Award “in recognition of outstanding contributions to the City of New York.”

Hammerstein died of stomach cancer in his home in Doylestown, Pennsylvania at the age of 65, shortly after the opening of The Sound of Music on Broadway, thus ending one of the most remarkable collaborations in the history of the American musical theatre. The final song he wrote was “Edelweiss” which was added during rehearsals near the end of the second act. To this day, many think it is an Austrian folk song. Sadly, he never lived to see The Sound of Music made into the 1965 film adaptation which became internationally loved, won the Academy Award for Best Picture, and became perhaps his most well-known legacy.

Universally mourned, with the lights of Times Square and London’s West End being dimmed in recognition of his contribution to the musical, he was cremated at the Ferncliff Cemetery in Hartsdale, New York, and later buried at Southwark Cathedral, England. He was survived by his second wife Dorothy Blanchard Jacobson and his three children, William and Alice by first wife Myra Finn and James by Jacobson.

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 5,224 other followers

November 2017
M T W T F S S
« Jul    
 12345
6789101112
13141516171819
20212223242526
27282930  
%d bloggers like this: